Saturday 4.6.2005 EarsChewingSatisfunction
returns to Bratislava’s ucko.
It’s your chance to enjoy music*notmusic supported by live visual
performance by visual technicians tove, ana and zero. Nor does this
installment lack diverse live acts and a duo of computerrorists - fkt+dubyx
with their alternative approach to mixed electronic music. This time
around we are also introducing new crusaders from the ranks of Slovak
electronica: Oliver Irsai performs his electronic mix
of sound collage, for his part gottlieb sets his ideas
on the connection between guitar and electronics to music, and mud
woodstone is the surprising debut of an electric blues jam
by 3 lunatics…, international guests round out the night‘s
varied musical spectrum: Audiokollektiv from Berlin
present their live act, including their own live visuals and shortwave~massacre
from Vienna is responsible for the analogue rhytmic fun… residents
rbnx and urbanfailure of earschewingsatisfunction
organizers urbsounds present their new rhytmic constructions and sound-lathe…
we‘re looking forward to seeing you on Saturday 4.6 at 22.00 in
ucko – every guest will receive an ear chewing satisfunction compliation
cd with current tracks from the performing projects, entry 120sk/3eur
audiokollektiv is a collaboration of people who share this strange affinity
for all kinds of crazy flashing and sound producing machines .
It provides since years endless fun to its members and sometimes to
the audience too. Additional to musical thrill and pleasure, audiokollektiv
comes for ears chewing satisfunction 2 with its director for moveable
structures, who will care for your visual delight.
Shortwave~Masscacre deconstructs in tradition to John Cage frequencies
of a shortwave radio and old style monochrom television. It combines
the noises with distorted beats and lot of effects to digital industrial.
The specific about this live performance is the uniqueness. There are
always different noises, voices and parts of music, depending on the
place. There is no repetition possible!
In addition to coming from the same regional city, from RV, they also
share a fondness for projects from Vancouver and Canada, arrhythmic
rhythms, industrial pasts, tranquil presents and noisy futures.
They are tempted to mix everything that suits their taste on the traktor
software. And a lot of things suit their taste!
One-man project Oliver Irsai came into being in 2004 as an offshoot
of the long-running punk-and-later-electronicexperimental project Meotar.
This musician initially dedicated himself to percussion but later began
to incline toward experimentation with the help of the computer as a
musical instrument. In terms of sound, Oliver Irsai likes indefinable
or unpredictable genres, making use of various live sounds including
a wide range of traditional and nontraditional percussion in addition
to a laptop. This atmospheric sound collage project is pervaded by rhythmic
passages that often result in uncoordinated chaos.
Modern, liberated, contemporary, of a broad spectrum, intelligent, obscure,
experimental, unique, quality, original, extraordinary…
These are words that most often characterize electronic music production.
With rbnx things are different.
I hear system fault it was likely caused by electromagnetic error and
today I encountered bug of technology pointless used of energy. I’d
rather let urbanfailure try to deconstruct noise while constructing
structure. My synthesis of feelings endeavors to transform rooted images.
The realization of this concept is also a way to use sound as opinion.
Your TV digital pudding raisins as an analog paradox deforming reality?
Try not to think about what the past will be like!